explore-blog:

Why habit is the secret of creativity.
Chuck Close would agree:  “Inspiration is for amateurs — the rest of us just show up and get to work.” As would E. B. White: “A writer who waits for ideal conditions under which to work will die without putting a word on paper.”
 665
21 May 13 at 12 pm

Love the Solitude.

Worpswede, July 16, 1903

Letters to a young poet 

(via awelltraveledwoman)

(via ignitelight)

"Much that may one day be possible can already be prepared by the solitary individual, and built with his own hands which make fewer mistakes. Therefore love your solitude and bear the pain of it without self-pity. The distance you feel from those around you should trouble you no more than your distance from the farthest stars. be glad that you are growing, and realize that you cannot take anyone with you: be gentle with those who stay behind. Be confident and calm before them, and don’t torment them with your doubts or distress them with your ambitions which they wouldn’t be able to comprehend. Find in a true and simple way what you have in common with them, which does not need to change when you yourself change and change again. When you see them, love life in a from that is not your own, and be kind to all the people who are afraid of their aloneness"


17 May 13 at 10 am

Joshua Hyslop | Wish You Well

 848
17 May 13 at 9 am

Claire Lispector, The Hour of the Star (via itsfromabook)

"Who has not asked himself at some time or other: am I a monster or is this what it means to be a person?"

 7
17 May 13 at 8 am
tags: lifeofkai  truth  gaysian  gay 

Three words to describe Kai: excitable, outspoken, scared

Kai, like a lot of people in his generation, is at once so assertive, self-assured, while also insecure and sensitive. He is so passionate about what he does but feels easily set back. He has a frenetic energy that sometimes he harnesses to do the work he wants to do, but he’s an over thinker and often gets consternated by this. He’s a deadly hopeless romantic, but similarly he puts on a hard edge to soften the blow of life’s disappointments. He loves people, and he is upset by people.”

 9800
15 May 13 at 9 am

Unknown (via milkied)

(Source: quotethat, via leap-and-land)

"People are dying from over thinking. They fill their brains with harsh thoughts and it brings the body down too. Chances are no one thinks as bad about you than you."

 95
06 May 13 at 9 pm

Nikola Tesla (via graceyu)

"The mind is sharper and keener in seclusion and uninterrupted solitude. No big laboratory is needed in which to think. Originality thrives in seclusion free of outside influences beating upon us to cripple the creative mind. Be alone, that is the secret of invention; be alone, that is when ideas are born."

 518
06 May 13 at 9 pm

(Source: nofatnowhip, via ignitelight)

I am in an espresso bar on Spadina, sitting at a large, square shaped wooden table, drinking an overpriced Americano (but it’s organic! Fair trade, man!). Across from me is a couple: Blue Jays (BJ) cap and Geeky Blonde (GB). GB has got her signature black rimmed glasses on, with frames large enough to not overtake her small, round, pink face. Her nose, mouse like with its upturned tip, points forward like a finger. Oddly enough, it matches BJ’s sharp nose (balanced by beautiful, drag queen lashes and light green eyes). Clad in a navy polo so deep it’s almost black, BJ sits on her right, his thick bushy eyebrows bouncing up and down while he tries to follow the nonstop chatter between GB and their future wedding planner (who I will name Jessica). Jessica looks to be in her late thirties; her long reddish blonde hair pulled back into a tight, straight, ponytail that reaches all the way down her back (type-A neurotic). Ironically, Jessica the wedding planner doesn’t have a wedding ring on. I think to myself: is this a personal choice? Is it PR thing? Is a wedding planner with a wedding ring bad luck? Or maybe she’s just never found the one. Maybe that J.Lo flick wasn’t so full of shit after all. Maybe her life is actually really funny. 

But I digress. 

I’m sitting in an espresso bar on a beautiful Saturday morning, and I don’t want to go in to work. I have four glorious hours left of my day and it kills me that at some point I will have to trek back underground, step into a long metal tube, propel myself uptown and eventually find my way out so that I can trade in the best parts of myself for something we call, the moneyz. 

It breaks my god damn heart, I tell you.

These past few weeks have been slow and methodical in its absolutely uselessness. A few bright spots here and there, but overall, my attempt at generating a career for myself is at an all time stand-still. I wrote a pilot, hated it, wrote it again, sort of liked it, and then watched a bunch of other pilots and came back around to hating it. 

(Jessica is leaving, but not before collecting her big, fat, paycheck.) 

I’ve been re-evaluating my work, trying to generate new ideas to inject into my pilot, give it greater cultural relevance, to make something with a sharper edge. Reading things that I think my characters would read, watching things I think my character would watch. I’ve been trying to live my life as the characters would (What would Roukh do? What would Sloane do? What would Bryan do?). This morning I read yesterdays Business section in The Globe because that’s something Roukh would do, he’s that kind of guy. I also discovered how much I miss reading words off of actual paper, cause you just can’t beat reading things off of actual paper. 

There are nights when I feel crazy, useless, lazy and productive all at once. I also think I might be a tad bit dyslexic. Mildly so, as I’ve noticed that I misread, mistype, and mis-do a whole lot of shit when it comes to letters and numbers… should I be worried?

One thing I’ve come to recognize as of late is my greatest weakness: self-doubt. It is paralyzing at times, and I work day in and day out to overcome it. I’ve noticed the ways it prevents me from doing what I want, when I want, and how I want. I’ve always managed to get by, just good enough to slip through the lines with out really putting myself out there. I like the safety of being a backstage. I think a lot about why this is, because I used to be incredibly motivated in the past; I loved to shine. At some point between high school and now, I lost the energy, the desire and the drive, and I don’t exactly know how to get it back.

But I have given myself five years to do this writer thing, to try and get a TV pilot into production. It’s a blue sky dream, and on some levels it’s incredibly unrealistic. But if we really do live once, if all we are are a series of cosmic, subatomic, chemical mistakes, than I owe it to my consciousness to give it all a shot. By thirty, if I don’t have a show on the air…who knows. Maybe I’ll be a retail queen for the rest of my life, but god damn, at least I tried.

I’m finally living downtown on my own.

The world is my cloister. 

 

 7
02 May 13 at 12 pm

Janelle Monáe

"

I asked a question like this
“Are we a lost generation of our people?
Add us to equations but they’ll never make us equal.
She who writes the movie owns the script and the sequel.
So why ain’t the stealing of my rights made illegal?
They keep us underground working hard for the greedy,
But when it’s time pay they turn around and call us needy.
My crown too heavy like the Queen Nefertiti
Gimme back my pyramid, I’m trying to free Kansas City.

Mixing masterminds like your name Bernie Grundman.
Well I’m gonna keep leading like a young Harriet Tubman
You can take my wings but I’m still goin’ fly
And even when you edit me the booty don’t lie
Yeah, keep singing and I’mma keep writing songs
I’m tired of Marvin asking me, “What’s Going On?
March to the streets ‘cuz I’m willing and I’m able
Categorize me, I defy every label
And while you’re selling dope, we’re gonna keep selling hope
We rising up now, you gotta deal you gotta cope
Will you be electric sheep?
Electric ladies, will you sleep?
Or will you preach?”

"

"Miles On A Car"
Rachael Yamagata
Chesapeake
(1) plays

"

There is an inherent cruelty in every terror attack—an undeniable reverberation of evil in the destruction of an ordinary moment and the forced marriage of that moment to sudden violence. Boston is no different, no more or less tragic than the bombings that have razed the marketplaces of Karachi, the school in Khost, the mosque in Karbala.

And yet it seems so. Attacks in America are far more indelible in the world’s memory than attacks in any other country. There may be fewer victims and less blood, but American tragedies somehow seem to occur in a more poignant version of reality, in a way that evokes a more sympathetic response. Within minutes American victims are lifted from the nameless to the remembered; their individual tragedies and the ugly unfairness of their ends are presented in a way that cannot but cause the watching world to cry, to consider them intimates, and to stand in their bloody shoes. Death is always unexpected in America and death by a terrorist attack more so than in any other place.

"

 1661
26 Apr 13 at 4 pm

betype:

Live, Work, Create. (by Yeray Vega)

betype:

Live, Work, Create. (by Yeray Vega)